Other videos from Scotty Horey on Tributary
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8 Credits22m 46s
4 Methods for Drumset Learning
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4 Methods for Drumset Learning
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8 Credits22m 46s
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3 Credits5m 2s
Season II Introduction and Welcome
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Season II Introduction and Welcome
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3 Credits5m 2s
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4 Credits13m 18s
Relaxation Breathing by Mexican Waterfall
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Relaxation Breathing by Mexican Waterfall
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4 Credits13m 18s
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10 Credits9m 42s
Dr. Scotty Horey presents progressive drumset concepts (I)
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Dr. Scotty Horey presents progressive drumset concepts (I)
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10 Credits9m 42s
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10 Credits8m 45s
Dr. Scotty Horey presents progressive drumset concepts (II)
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Dr. Scotty Horey presents progressive drumset concepts (II)
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10 Credits8m 45s
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4 Credits13m 34s
“Drum Solo” December 2014
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“Drum Solo” December 2014
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4 Credits13m 34s
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4 Credits7m 45s
“Ti-Re-Ti-Ke-Dah”
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“Ti-Re-Ti-Ke-Dah”
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4 Credits7m 45s
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5 Credits5m 1s
“Normale”
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“Normale”
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5 Credits5m 1s
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4 Credits1m 17s
“V” from “Nine French American Rudimental Solos”
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“V” from “Nine French American Rudimental Solos”
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4 Credits1m 17s
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5 Credits11m 20s
“Drum Solo” 2011
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“Drum Solo” 2011
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5 Credits11m 20s
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4 Credits7m 1s
“Minotaurus 4.3”
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“Minotaurus 4.3”
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4 Credits7m 1s
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4 Credits4m 43s
“She Hit the Dirt”
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“She Hit the Dirt”
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4 Credits4m 43s
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4 Credits6m 46s
“Rebonds, A.”
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“Rebonds, A.”
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4 Credits6m 46s
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4 Credits10m 23s
“Il Legno e la Parola” Live
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“Il Legno e la Parola” Live
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4 Credits10m 23s
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4 Credits6m 0s
“In My Skin”
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“In My Skin”
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4 Credits6m 0s
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4 Credits7m 46s
“Electric Drill Dipped in Magma”
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“Electric Drill Dipped in Magma”
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4 Credits7m 46s
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4 Credits7m 25s
Dr. Scotty Horey guides you through a visualization exercise to prepare for performance
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Dr. Scotty Horey guides you through a visualization exercise to prepare for performance
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4 Credits7m 25s
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10 Credits15m 3s
Dr. Scotty Horey discusses James Dillon’s “Ti-Re Ti- Ke Dha” and learning complex polyrhythms
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Dr. Scotty Horey discusses James Dillon’s “Ti-Re Ti- Ke Dha” and learning complex polyrhythms
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10 Credits15m 3s
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4 Credits12m 48s
“Splattered Canvas of Obsessive Conflicting Feelings”
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“Splattered Canvas of Obsessive Conflicting Feelings”
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4 Credits12m 48s
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7 Credits8m 0s
“Restless Undulations”
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“Restless Undulations”
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7 Credits8m 0s
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7 Credits6m 12s
“Balancing the Impossible”
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“Balancing the Impossible”
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7 Credits6m 12s
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5 Credits9m 39s
“Blue Line”
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“Blue Line”
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5 Credits9m 39s
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5 Credits8m 53s
“Las Ardillas”
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“Las Ardillas”
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5 Credits8m 53s
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5 Credits6m 1s
“Walls”
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“Walls”
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5 Credits6m 1s
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3 Credits7m 53s
“Agustina”
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“Agustina”
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3 Credits7m 53s
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5 Credits5m 53s
“Character Piece #2”
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“Character Piece #2”
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5 Credits5m 53s
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7 Credits7m 31s
“Solitary Consciousness”
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“Solitary Consciousness”
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7 Credits7m 31s
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4 Credits16m 7s
Musical Awareness Meditation Exercise
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Musical Awareness Meditation Exercise
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4 Credits16m 7s
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10 Credits10m 4s
Melodic, Expressive, and Polyrhythmic Drumset Soloing Concepts
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Melodic, Expressive, and Polyrhythmic Drumset Soloing Concepts
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10 Credits10m 4s
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2 Credits13m 58s
Gear Talk
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Gear Talk
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2 Credits9m 34s
Getting Started with Hand Technique
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Getting Started with Hand Technique
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2 Credits9m 34s
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10 Credits23m 38s
Contemporary Classical Music Interpretation feat “Il Legno e la Parola”
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Contemporary Classical Music Interpretation feat “Il Legno e la Parola”
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10 Credits23m 38s
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5 Credits16m 11s
Drum Solo
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Drum Solo
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5 Credits16m 11s
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5 Credits6m 48s
“Arrow”
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“Arrow”
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5 Credits6m 48s
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5 Credits8m 41s
“Falling Back into the Clouds”
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“Falling Back into the Clouds”
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5 Credits8m 41s
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5 Credits8m 38s
“Il Legno e la Parola”
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“Il Legno e la Parola”
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5 Credits8m 38s
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7 Credits11m 24s
“Refreshing, Glorious Arrival”
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“Refreshing, Glorious Arrival”
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7 Credits11m 24s
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5 Credits8m 7s
“Toccata”
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“Toccata”
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5 Credits8m 7s
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4 Credits2m 48s
“Ein Leibselied”
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“Ein Leibselied”
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4 Credits2m 48s
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3 Credits4m 8s
Introduction and Welcome
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Introduction and Welcome
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3 Credits4m 8s
2Comments
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Sean P
2 months agoThat was actually quite fun at the end. Even though I can’t afford a real drum kit yet. I’m currently using a pair of chopsticks. The high hat was an empty pot noodle. The snare was the table and the foot beat me just kicking the hollow desk. Actually that last one was very effective
Paula Dean
2 months agoI grew up there and left when I was 25 because I did not want my son to have to deal with that. There is no way to get away from it. I had to fight all through school growing up. It's not "underlying" at all it is completely blatant against whites, period. If you grow up there the school experience leaves that bad feeling with you. If you go there as an adult it is not hard to ignore it and laugh at them. So, going there as an adult is better. You just better bring money or have a great job.
That was actually quite fun at the end. Even though I can’t afford a real drum kit yet. I’m currently using a pair of chopsticks. The high hat was an empty pot noodle. The snare was the table and the foot beat me just kicking the hollow desk. Actually that last one was very effective